But rather than polite themes from show tunes and restive ballads, Simone’s ’64 performance bristled with a new energy. In March 1964 she took to the stage at New York’s Carnegie Hall in front of an audience of largely white, affluent jazz enthusiasts expecting an evening similar that of a recording made in the Hall the previous year. Recording over 40 albums, from show tunes to Civil Rights anthems, her’s was a message that was indistinguishable from the music.Īnd it’s on that uncomfortable juncture between show tunes and Civil Rights that Simone’s career hinged. A troubled icon whose defiance and singular voice has influenced a generation, there has never been an artist quite like Nina Simone.
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